Rule of thirds
Balancing Elements
Leading lines
Symmetric and patterns
View points
Background
Create depth
Framing
Cropping
Mergers.
Wednesday, September 29, 2010
Thursday, September 23, 2010
Hurricane Ike
This photo best fits the rule of thirds, you can see and sense her sadness of the girl seeing what once was in her room is now the pile remains of her room. The girl is in the corner looking at what the destructive hurricane did to her room.
This photo best fits framing, the frame of the photo can make you see the death of the graveyard how all the water surrounds all the water.The weather cloud behind it made it look intense and gloomy
This photo best fits framing, the frame of the photo can make you see the death of the graveyard how all the water surrounds all the water.The weather cloud behind it made it look intense and gloomy
Great Black and White Photogrophers Part. 2
Dorothea Lange |
Lange was born May 26 1895, in Hoboken, New Jersey. Growing up she was made fun of because she contracted polio, and was walking with a limp, even her mother acted ashamed of her crippled daughter. Then where she was twelve her father left her and her mother, because of that they moved into a house in Sophie Lange, their her maternal grandmother, and great aunt was. Her mother took a job as a Liberian, they had to take long walks there so that's when Dorothea noticed all the visual imagery and decided to take pictures. Later on Dorothea moved uptown and got a job with Arnold G. as a Photographer. Their she learned how set up a camera and lights. She then grew up and took her mother's maiden name so she could forget her father. Then the government hired her to document the effects of depression, the pain from her childhood gave a sense of what suffering meant, she was able to see the despair all around her. Even though she made her wealth mostly from taking pictures from famous people but would rather take pictures of the real human condition.In October 11, 1965 Dorothea Lange died.
Migrant Mother, 1936Japanese boy awaiting evacuation, June 1942
Pinhole finale
differences: The negative is back words from the positive.
its negative from the positve.
Negative:noting an image in which the brightness values of the subject are reproduced so that the lightest areas are shown as the darkest.
all the light areas are shown as the dark areas making the picture shown in negative
its negative from the positve.
Negative:noting an image in which the brightness values of the subject are reproduced so that the lightest areas are shown as the darkest.
all the light areas are shown as the dark areas making the picture shown in negative
Friday, September 17, 2010
9/11
Simplicity
In this photo we can catch our eyes on the burning building. This make the photo more dynamic, by looking it off-centered.
The Rule of Thirds
This photo has the subject on the bottom right corner, being able to see the shadows in the background, giving it a more dynamic feel to it.
Lines
The vertical lines give a more a dynamic feeling to this photo because it gives us more a focus on him.
Balance
This photo shows balance by the tall woman in front of the man making them seem of equal height and then you see the old lady in the back by not making everybody too big.
Framing
The framing of this picture gets your eyes on the destruction that is happening, the guy staring at it makes it more dynamic, and the you could see far the building is to see the destruction.
Avoiding Mergers
In this photo we can catch our eyes on the burning building. This make the photo more dynamic, by looking it off-centered.
The Rule of Thirds
This photo has the subject on the bottom right corner, being able to see the shadows in the background, giving it a more dynamic feel to it.
Lines
The vertical lines give a more a dynamic feeling to this photo because it gives us more a focus on him.
Balance
This photo shows balance by the tall woman in front of the man making them seem of equal height and then you see the old lady in the back by not making everybody too big.
Framing
The framing of this picture gets your eyes on the destruction that is happening, the guy staring at it makes it more dynamic, and the you could see far the building is to see the destruction.
Avoiding Mergers
This photo is avoiding mergers, by giving more view of the center of the object then the objects surrounding them, giving the center of attention to the building.
Thursday, September 9, 2010
Thursday, September 2, 2010
The Camera
pentaprism-
is the delay between triggering the shutter and when the photograph is actually recorded. autofocus -
having the ability to focus automatically: an autofocus lens; an autofocus cameraParallax is an apparent displacement or difference in the apparent position of an object viewed along two different lines of sight, and is measured by the angle or semi-angle of inclination between those two lines
aperture-
Also called aperture stop . Optics . an opening, usually circular, that limits the quantity of light that can enter an optical instrumentshutter
the act of presenting a photosensitive surface to rays of light
depth of field
the distance from a focal point of a lens or mirror to the corresponding principal plane.
a prism that has five faces, a pair of which are at 90° to each other; a ray entering one of the pair emerges from the other at an angle of 90° to its original direction: used esp. in single-lens reflex cameras to reverse images laterally and reflect them to the viewfinder.
shutter lag-is the delay between triggering the shutter and when the photograph is actually recorded. autofocus -
having the ability to focus automatically: an autofocus lens; an autofocus cameraParallax is an apparent displacement or difference in the apparent position of an object viewed along two different lines of sight, and is measured by the angle or semi-angle of inclination between those two lines
aperture-
Also called aperture stop . Optics . an opening, usually circular, that limits the quantity of light that can enter an optical instrumentshutter
Photography . a mechanical device for opening and closing the aperture of a camera lens to expose film or the like.
exposurethe act of presenting a photosensitive surface to rays of light
depth of field
the range of distances along the axis of an optical instrument, usually a camera lens, through which an object will produce a relatively distinct image.
F-stopthe setting of an adjustable lens aperture, as indicated by an f number.
focal lengththe distance from a focal point of a lens or mirror to the corresponding principal plane.
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